https://vimeo.com/812932803

Materials: Varnished birch, Aluminum, Terracotta See more are @riverfriedman

Materials: Varnished birch, Aluminum, Terracotta See more are @riverfriedman

To watch the video, copy and paste this link: https://youtu.be/xKW6Ly8hsPk

To watch the video, copy and paste this link: https://youtu.be/xKW6Ly8hsPk

To watch the video, copy and paste this link: https://youtu.be/xKW6Ly8hsPk

View Levi's Video Here https://youtube.com/channel/UCY7zhd9ul9MG2LN6BQOztzw

Click here for the to view Levi's video: https://youtube.com/channel/UCY7zhd9ul9MG2LN6BQOztzw

Instagram @t0ecrusher

Instagram @t0ecrusher

@melody___park

King of my Heart

Watch Me

Untitled

Welcome the Messiah

You can see all of his projects at garykim.dev

You can see all of his projects at garykim.dev

You can see all of his projects at garykim.dev

You can see all of his projects at garykim.dev

Of All the Devils I Have Known to Suck the Angels Dry

I'd Let You Cut My Skin and Wear It

Of All the Devils I Have Known to Suck the Angels Dry

And Lull It to Sleep

Relief only comes at night, 89x83, acrylic, paint sticks on canvas

Pink Demon, 34x40, acrylic on canvas

Breach, 78x60, acrylic, spray paint & wooden snake on canvas

Basking in the sun, 34x40, acrylic, colored pencil on canvas

Bodies, Motion, Space: Inventing notational languages to draw the invisible and investigate play. (24"x24" graphite on mylar)

Drawing Motion: Tracing the movement of a kinetic spatial device (28"x28" pen on paper)

Precedent analysis: Plan of Rocks and Sea House, Pascal Flammer, Scotland (18"x24" graphite on mylar)

Precedent analysis: Plans and sections of Villa Alem, Valerio Olgiati, Portugal (18"x24" graphite on paper)

Design for a Community Kitchen and Garden in Sara D. Roosevelt Park, NYC. Work was produced for "Charged Types | Seamless Rituals | Troubled Adjacencies," a second-year studio taught by Professors Nima Javidi, Stephanie Lin, Julian Palacio, and Ife Vanable.

Design for a Community Kitchen and Garden in Sara D. Roosevelt Park, NYC. Work was produced for "Charged Types | Seamless Rituals | Troubled Adjacencies," a second-year studio taught by Professors Nima Javidi, Stephanie Lin, Julian Palacio, and Ife Vanable.

Design for a Community Kitchen and Garden in Sara D. Roosevelt Park, NYC. Work was produced for "Charged Types | Seamless Rituals | Troubled Adjacencies," a second-year studio taught by Professors Nima Javidi, Stephanie Lin, Julian Palacio, and Ife Vanable.

Design for a Community Kitchen and Garden in Sara D. Roosevelt Park, NYC. Work was produced for "Charged Types | Seamless Rituals | Troubled Adjacencies," a second-year studio taught by Professors Nima Javidi, Stephanie Lin, Julian Palacio, and Ife Vanable.

Work was produced for "The Difficult Double," a first-year studio taught by Ted Baab, Tamar Zinguer, Elisa Iturbe, and Benjamin Aranda.

Work was produced for "The Difficult Double," a first-year studio taught by Ted Baab, Tamar Zinguer, Elisa Iturbe, and Benjamin Aranda.

To read more and to see updates about the Cooper Cube visit https://www.chrismignano.com/cooper-cube

Render, model of an elementary school in the Bronx. This is an alternative to modeling making that we are using due to the current situation and lack of access to the shop.

Graphite on Mylar, 24''x24'', Subway Analysis. This drawing analyzes the movement of people in a subway car from my perspective.

We were heavily inspired by Enzo Mari's work where he made a blueprint of his design so that a layman could build it the same exact furniture he had built given the materials.

Then we entertained the idea of using Machine learning models to generate those instructions/orthographic images based on hand-drawn sketches.

We trained the model to recognize these images as benches from actual benches generated by a different program.

The model, given the hand sketch, spit our instructions as such.

Then we actually built the bench, based on the instructions given by the model.

Drawing From A Zoom Call

Reflection on Community

"Untitled" Latex and plaster

This sock-skin painting is made of socks stuck together and stretched, then soaked in rabbit skin glue, and painted with oil paint. It is a test of repulsion and attraction as the smell of it is strong and unpleasant, but visually it’s rather humorous. The painting was inspired by harsh Polish winters and the Anthropocene - the man made in relation to the natural.